I bring in the video and audio tracks separately then have to manually sync them on the timeline using the synchronize function. Also, the process isn’t quite as intuitive. This is a common theme as we work through everything. The most obvious difference right off the bat is that Premiere is just a little slower. Still amazing though, and the audio file itself stays intact at whatever settings used during recording. We record 32-bit and when we look at the metadata after syncing, it’s linked into the bit rates of the video clip. The catch is that it loses some of the metadata on the audio. The audio and video files link within the bin and as soon as you drag it into a timeline, it’s connected as a linked clip. The most convenient feature of the bin is that it automatically syncs audio to footage. The nice thing about DaVinci is the media bin in which it links directly to your hard drives. Spoiler alert: the first step with any video project is importing the footage. If there’s any topics you’d like us to cover in more detail, drop a comment on the YouTube video and we’ll respond or maybe even produce a video on the subject. Note: This is just a surface-level overview comparing some of the main features in each program. In this review, I’m going to compare 10 of the main features any video editor would utilize on a regular basis in Adobe Premiere and DaVinci Resolve. We picked up the LogicKeys DaVinci Resolve Keyboard to quickly navigate through the shortcuts and we were off to the races. We’ve been using Resolve to color our video projects for years so it wasn’t totally foreign to us. So we decided to give DaVinci Resolve a real shot at becoming our go-to editing software. When it’s working, it’s a great program but when it’s not… there’s very few things more frustrating. It’s no secret that Premiere has its problems. I’ve been using Adobe Premiere for over 15 years, easily logging over 15,000 hours in the program, navigating any edit you can imagine.
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